The Hitchhiker's Guide to the Galaxyby Douglas Adams
Join Douglas Adams's hapless hero Arthur Dent as he travels the galaxy with his intrepid pal Ford Prefect, getting into horrible messes and generally wreaking hilarious havoc. Dent is grabbed from Earth moments before a cosmic construction team obliterates the planet to build a freeway. You'll never read funnier science fiction; Adams is a master of intelligent satire, barbed wit, and comedic dialogue. The Hitchhiker's Guide is rich in comedic detail and thought-provoking situations and stands up to multiple reads. Required reading for science fiction fans (Amazon.com).
Mrs. Webb's All-Time Favorite Book!
Station Eleven by Emily St. John Mandel
A flight from Russia lands in middle America, its passengers carrying a virus that explodes “like a neutron bomb over the surface of the earth.” In a blink, the world as we know it collapses. “No more ballgames played under floodlights,” Emily St. John Mandel writes in this smart and sober homage to life’s smaller pleasures, brutally erased by an apocalypse. “No more trains running under the surface of cities ... No more cities ... No more Internet ... No more avatars.” Survivors become scavengers, roaming the ravaged landscape or clustering in pocket settlements, some of them welcoming, some dangerous. What’s touching about the world of Station Eleven is its ode to what survived, in particular the music and plays performed for wasteland communities by a roving Shakespeare troupe, the Traveling Symphony, whose members form a wounded family of sorts. The story shifts deftly between the fraught post-apocalyptic world and, twenty years earlier, just before the apocalypse, the death of a famous actor, which has a rippling effect across the decades.
The Ocean at the End of the Laneby Neil Gaiman
At the beginning of this book, the never-named fiftyish narrator is back in his childhood homeland, rural Sussex, England, where he’s just delivered the eulogy at a funeral. With “an hour or so to kill” afterward, he drives about—aimlessly, he thinks—until he’s at the crucible of his consciousness: a farmhouse with a duck pond. There, when he was seven, lived the Hempstocks: a crone, a housewife, and an 11-year-old girl, who said they were grandmother, mother, and daughter. Now, he finds the crone and, eventually, the housewife—the same ones, unchanged—while the girl is still gone, just as she was at the end of the childhood adventure he recalls in a reverie that lasts all afternoon. He remembers how he became the vector for a malign force attempting to invade and waste our world. The three Hempstocks are guardians, from time almost immemorial, situated to block such forces and, should that fail, fight them.
I Capture the Castleby Dodie Smith
Seventeen-year-old Cassandra Mortmain wants to become a writer. Trouble is, she's the daughter of a once-famous author with a severe case of writer's block. Her family--beautiful sister Rose, brooding father James, ethereal stepmother Topaz--is barely scraping by in a crumbling English castle they leased when times were good. Now there's very little furniture, hardly any food, and just a few pages of notebook paper left to write on. Bravely making the best of things, Cassandra gets hold of a journal and begins her literary apprenticeship by refusing to face the facts. She writes, "I have just remarked to Rose that our situation is really rather romantic, two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud." Rose longs for suitors and new tea dresses while Cassandra scorns romance: "I know all about the facts of life. And I don't think much of them." But romantic isolation comes to an end both for the family and for Cassandra's heart when the wealthy, adventurous Cotton family takes over the nearby estate (Amazon.com).
Little Beeby Chris Cleave
All you should know going in to Little Bee is that what happens on the beach is brutal, and that it braids the fates of a 16-year-old Nigerian orphan (who calls herself Little Bee) and a well-off British couple--journalists trying to repair their strained marriage with a free holiday--who should have stayed behind their resort's walls. The tide of that event carries Little Bee back to their world, which she claims she couldn't explain to the girls from her village because they'd have no context for its abundance and calm. But she shows us the infinite rifts in a globalized world, where any distance can be crossed in a day--with the right papers--and "no one likes each other, but everyone likes U2." Where you have to give up the safety you'd assumed as your birthright if you decide to save the girl gazing at you through razor wire, left to the wolves of a failing state (Amazon.com).
The Sweetness at the Bottom of the Pieby Alan Bradley
It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer.
The Disreputable History of Frankie Laudau-Banks by E. Lockhart
Over the course of one summer, Frankie Landau-Banks, a somewhat geeky girl with an unassuming nature, has developed into a 15-year-old with an attention-grabbing figure, a new attitude, and sights set on making changes at her elite boarding school. Frankie has a new boyfriend, a gorgeous senior who belongs to a long-standing secret society on campus—The Loyal Order of the Basset Hounds, known mostly for silly pranks and a history of male-only membership. With a witty, sharp, and intelligently scheming mind, Frankie manipulates the Loyal Order to do her bidding with pranks meant to make a political statement about the male-dominated and classist nature of the school (Amazon.com).
The Harry Potter series by J. K. Rowling
This best-selling series has attracted more people to read than just about anything in recent memory. Three cheers for J.K. Rowling!
The Haunting of Alaizabel Crayby Christopher Wooding
In Wooding's alternative, Victorian London, a new plague is underway: an infestation of demonic creatures known as wych-kin. Thaniel Fox, a 17-year-old wych-hunter who calls forth both Buffy the Vampire Slayer and Indiana Jones, spends his time reducing wych-kin populations with methods that combine magic, superstition, and good old-fashioned gunslinging. After stumbling upon an obviously traumatized young woman on one of his expeditions, he swiftly discovers that she has escaped from the clutches of a powerful cult called the Fraternity. The connections between Alaizabel's plight, rising numbers of wych-kin, and the Fraternity's plans are revealed by tantalizing degrees, as Thaniel, Alaizabel, and several colorful allies join forces to combat evil on a terrifying scale (Booklist).
The Monstrumologistby Rick Yancey
Will Henry is the 12-year-old apprentice to Pellinore Warthrop, a brilliant and self-absorbed monstrumologist--a scientist who studies (and when necessary, kills) monsters in late-1800s New England. The newest threat is the Anthropophagi, a pack of headless, shark-toothed bipeds, one of whom’s corpse is delivered to Warthrop’s lab courtesy of a grave robber. As the action moves from the dissecting table to the cemetery to an asylum to underground catacombs, Yancey keeps the shocks frequent and shrouded in a splattery miasma of blood, bone, and maggots. The industrial-era setting is populated with leering, Dickensian characters, most notably the loathsome monster hunter hired by Warthrop to enact the highly effective “Maori Protocol” method of slaughter. Most effective of all, however, is the weirdly tender relationship between the quiet, respectful boy and his strict, Darwinesque father figure.
Join Douglas Adams's hapless hero Arthur Dent as he travels the galaxy with his intrepid pal Ford Prefect, getting into horrible messes and generally wreaking hilarious havoc. Dent is grabbed from Earth moments before a cosmic construction team obliterates the planet to build a freeway. You'll never read funnier science fiction; Adams is a master of intelligent satire, barbed wit, and comedic dialogue. The Hitchhiker's Guide is rich in comedic detail and thought-provoking situations and stands up to multiple reads. Required reading for science fiction fans (Amazon.com).
Mrs. Webb's All-Time Favorite Book!
Station Eleven by Emily St. John Mandel
A flight from Russia lands in middle America, its passengers carrying a virus that explodes “like a neutron bomb over the surface of the earth.” In a blink, the world as we know it collapses. “No more ballgames played under floodlights,” Emily St. John Mandel writes in this smart and sober homage to life’s smaller pleasures, brutally erased by an apocalypse. “No more trains running under the surface of cities ... No more cities ... No more Internet ... No more avatars.” Survivors become scavengers, roaming the ravaged landscape or clustering in pocket settlements, some of them welcoming, some dangerous. What’s touching about the world of Station Eleven is its ode to what survived, in particular the music and plays performed for wasteland communities by a roving Shakespeare troupe, the Traveling Symphony, whose members form a wounded family of sorts. The story shifts deftly between the fraught post-apocalyptic world and, twenty years earlier, just before the apocalypse, the death of a famous actor, which has a rippling effect across the decades.
The Ocean at the End of the Lane by Neil Gaiman
At the beginning of this book, the never-named fiftyish narrator is back in his childhood homeland, rural Sussex, England, where he’s just delivered the eulogy at a funeral. With “an hour or so to kill” afterward, he drives about—aimlessly, he thinks—until he’s at the crucible of his consciousness: a farmhouse with a duck pond. There, when he was seven, lived the Hempstocks: a crone, a housewife, and an 11-year-old girl, who said they were grandmother, mother, and daughter. Now, he finds the crone and, eventually, the housewife—the same ones, unchanged—while the girl is still gone, just as she was at the end of the childhood adventure he recalls in a reverie that lasts all afternoon. He remembers how he became the vector for a malign force attempting to invade and waste our world. The three Hempstocks are guardians, from time almost immemorial, situated to block such forces and, should that fail, fight them.
Seventeen-year-old Cassandra Mortmain wants to become a writer. Trouble is, she's the daughter of a once-famous author with a severe case of writer's block. Her family--beautiful sister Rose, brooding father James, ethereal stepmother Topaz--is barely scraping by in a crumbling English castle they leased when times were good. Now there's very little furniture, hardly any food, and just a few pages of notebook paper left to write on. Bravely making the best of things, Cassandra gets hold of a journal and begins her literary apprenticeship by refusing to face the facts. She writes, "I have just remarked to Rose that our situation is really rather romantic, two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud." Rose longs for suitors and new tea dresses while Cassandra scorns romance: "I know all about the facts of life. And I don't think much of them." But romantic isolation comes to an end both for the family and for Cassandra's heart when the wealthy, adventurous Cotton family takes over the nearby estate (Amazon.com).
All you should know going in to Little Bee is that what happens on the beach is brutal, and that it braids the fates of a 16-year-old Nigerian orphan (who calls herself Little Bee) and a well-off British couple--journalists trying to repair their strained marriage with a free holiday--who should have stayed behind their resort's walls. The tide of that event carries Little Bee back to their world, which she claims she couldn't explain to the girls from her village because they'd have no context for its abundance and calm. But she shows us the infinite rifts in a globalized world, where any distance can be crossed in a day--with the right papers--and "no one likes each other, but everyone likes U2." Where you have to give up the safety you'd assumed as your birthright if you decide to save the girl gazing at you through razor wire, left to the wolves of a failing state (Amazon.com).
It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer.
Over the course of one summer, Frankie Landau-Banks, a somewhat geeky girl with an unassuming nature, has developed into a 15-year-old with an attention-grabbing figure, a new attitude, and sights set on making changes at her elite boarding school. Frankie has a new boyfriend, a gorgeous senior who belongs to a long-standing secret society on campus—The Loyal Order of the Basset Hounds, known mostly for silly pranks and a history of male-only membership. With a witty, sharp, and intelligently scheming mind, Frankie manipulates the Loyal Order to do her bidding with pranks meant to make a political statement about the male-dominated and classist nature of the school (Amazon.com).
This best-selling series has attracted more people to read than just about anything in recent memory. Three cheers for J.K. Rowling!
In Wooding's alternative, Victorian London, a new plague is underway: an infestation of demonic creatures known as wych-kin. Thaniel Fox, a 17-year-old wych-hunter who calls forth both Buffy the Vampire Slayer and Indiana Jones, spends his time reducing wych-kin populations with methods that combine magic, superstition, and good old-fashioned gunslinging. After stumbling upon an obviously traumatized young woman on one of his expeditions, he swiftly discovers that she has escaped from the clutches of a powerful cult called the Fraternity. The connections between Alaizabel's plight, rising numbers of wych-kin, and the Fraternity's plans are revealed by tantalizing degrees, as Thaniel, Alaizabel, and several colorful allies join forces to combat evil on a terrifying scale (Booklist).
Will Henry is the 12-year-old apprentice to Pellinore Warthrop, a brilliant and self-absorbed monstrumologist--a scientist who studies (and when necessary, kills) monsters in late-1800s New England. The newest threat is the Anthropophagi, a pack of headless, shark-toothed bipeds, one of whom’s corpse is delivered to Warthrop’s lab courtesy of a grave robber. As the action moves from the dissecting table to the cemetery to an asylum to underground catacombs, Yancey keeps the shocks frequent and shrouded in a splattery miasma of blood, bone, and maggots. The industrial-era setting is populated with leering, Dickensian characters, most notably the loathsome monster hunter hired by Warthrop to enact the highly effective “Maori Protocol” method of slaughter. Most effective of all, however, is the weirdly tender relationship between the quiet, respectful boy and his strict, Darwinesque father figure.